ONE LP

ONE 45: NORTHERN SOUL

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  • Buy - The Northern Soul Scene
  • “Yes it's a recent acquisition, it's by Melvin Hicks and the Versatiles and its called 'The Intruder'.The reason why this is special to me - A. it's a good story and B. - a great record, and the people involved are quite important. There's a songwriter called Billy Terrell who I've know from his other work with Ray Dahrouge, the two New Jersey guys who used to write a lot of songs in the late 60's/early seventies several of which went on to become Northern Soul hits, Billy wrote ' I want to give you tomorrow' by Benny Troy. Ray and a Billy wrote, 'I can see him' .... No, just Ray wrote ' I can see him making love to you', The Anderson Brothers. And they did a lot of work with GWP Records that I've done CD's of and done a lot of research on, and anyway Billy contacted me and said 'I've got this record you might like to hear, one of my friends was going to throw it out and he said 'That's your old thing - you know - do you want to hear it -do you want it back?'. And he played it and he said ' Oh you know' it had that sort of beat that you like Ade he said 'wondered if you want to hear it?'. And this happens a lot - well not a lot, it happens sometimes and it's hard for an American - even a songwriter / musician to gauge the sort of music that we like. So he sent over an MP3 of it and on first hearing I thought ' Well that seems very good'. And two or three plays I thought that's very very good indeed. So I contacted Billy and said what's the acetate like and he said ' Oh it's just a blank, it's just a blank acetate' I said ' it's a shame, that doesn't matter the music is still very, well, invaluable really but I was going to value it for him so he could make some money from it as well as us license the music , that is Ace records Kent records, so he could put it out eventually but this acetate that he's got is quite an artifact. Then he said ' but it's just a blank there's no label'. And I said ' Oh well that's a shame because if it was with a nice, a proper ..... an acetate by the way is a metal disc.the first way that they cut a record. They either cut it for making the mothers for the plastic to be pressed with or they also make them for promotional purposes and then just to review the record a group will go into a studio and cut an acetate - take it home with them, listen to it a few times and think whether it's worth shopping around. It's like a sort of promo thing but even before promos are made. If it's got a label on it an looks authentic you can tell what era it's from that makes it more valuable. So I said to Billy ' Well, you know, if ...he ended up selling it me as an artifact and we've licensed the thing and I was going to give him say 'Y' dollars, but I could only give him X dollars because it didn't have a label. Anyway I was still very happy with it just to have this original of a terrific soul song. So when the record turned up it did have a label on it, which was odd, it had the big American centre, not the small English one of course, . It had got a white label both sides and it said 'The Intruders', it had some numbers on and the numbers to me looked like master numbers. I thought well that's a bit odd, I thought, for an acetate. The flip was on as well which is a great ballad. So I took it out and it wasn't an acetate it was vinyl. I don't know how Billy didn't think he had a label, thought it was an acetate see he's a very experienced music business guy, but I suppose it was just plain black vinyl so it didn't look too exciting to him but to a record collector like myself and somebody who knows his discographies the matrix numbers and the ...there was actually a catalogue number on there and it's actually from an established soul music label from the early seventies called Vegor and it it was allocated a number which was never used on anything else. So I actually have a test pressing of a Vegor release from New Jersey, it's a record label, and it's the only one of its kind in the world and it's a terrific record to boot.”Ady Croasdelll: at home London, 20th July 2018Melvin Hicks and The Versatiles: 'The Intruder'One 45 interviews - audio
  • Emily Harrison: High Voltage. Country Road“My 45 that I've picked is High Voltage Country Road and it’s special to me because it says something. It was recorded in 1972, so round then it was the Vietnam war .. everything that was going on .... Black Panthers, you know, Civil Rights.So that's why it means a lot to me and its a good dancer as well. It's an uptempo tune.”Emily Harrison: Rubber Soul Records, Stoke on Trent, 1st February 2017High Voltage. Country Road One 45 interviews - audio
  • “It’s David Bowie and it’s his cover of Eddie Floyd’s 'Knock on Wood'. I choose it because - other than having a very small portion of my record collection actually here in Brighton where I live at the moment. Bowie was the first person that got me into music, he was the first person that I listened to outside of what small children are really listening to, and I kind of thought wow!He’s got so many kind of attributes that I really like and it was also the first time I’d ever heard a soul song that wasn't done by I suppose a particular soul singer - so that got me really into soul as well. Covers of older songs are often more accessible than the (original) songs themselves and then you go on that journey of finding the originals and other copies of it and other versions of it so that was really interesting to me.“Harriet Dakin: Brighton Beach, 23rd March 2017David Bowie: 'Knock On Wood'One 45 interviews - audio
  • “So, I’ve chosen this record because this is the one that really got me into Northern Soul . When I was about 14 I had a friend called Patrick, we used hang out together because our parents were friends but he was a little older than me so he was allowed to go to Wigan and I wasn’t. And when we had our evenings together he would play me the latest records he’s bought to see if I liked them and this is the one that I really remember as being the first one that made me think ‘oh yeah like this - 'Skiing In The Snow' Wigan’s Ovation.I know it’s not the critics favourite but it did it for me and it’s got the brass , it’s got the beat of Northern Soul and so that’s why it really sticks in my mind of being the one that got me into it. It was along time after that I started doing my Soul and Motown Show on BBC WM probably when I was in my late 20’s - something like that and it was my idea to do a show that featured that music because it’s the sort of music that appeals to local radio listeners the fifty plus people are the ones who were listening to Soul and Motown.It’s always been very much about the commercial side of Soul and Motown and my listeners are wide and varied. Some of them just like the Motown some of them like the Northern Soul and so I try and just make it a good mix and I’ve always said it’s been Soul, Motown, Atlantic, Stax, Philly, Northern.That’s the sort of mix that it is and what I play on the show, you know if you ask me - it’s really what’s in my head will fit the theme of the show. It’s difficult to explain to anyone, I don’t play new stuff - it’s very much a nostalgia show. It’s about the records that you remember growing up to, that’s why I think 'Skiing In The Snow' is important to me because it’s the record I remember that got me into Northern Soul, if you play it now it’ll always get me on the dance floor and that’s what the show is all about, it’s about taking people back to where they were when they heard those records first and that’s why I like to play the popular stuff - the popular classics and I do play the rarer Northern and rarer Motown it has to be said - often that stuff that people request and I try and play one or two of those per show - I wouldn’t play loads because I’m trying to appeal to a mass audience and I think on a Sunday afternoon on a BBC local radio station it’s about a variety of commercial Soul and Motown, the things that people remember and it’s going to get them dancing round the kitchen that’s what the programme’s all about so that’s where I’m coming from and that’s why I choose this record.”Jenny Wilkes: BBC West Midlans, The Mailbox, Birmingham, 26th January 2017Wigan’s Ovation: Skiing In The Snow
  • “It’s The Dells and it’s 'Make Sure'. I used to run a club called ‘These Old Shoes’ - Tower Bridge with my co-founders Martin Thompson and Paul Thomas-Peter. And I’d been doing probably 38 years then and they’s only been djing 10 minutes before the doors opened on the first night and I explained to them the importance of having an ender - it’s like a full stop at the end of a night. And my ender has always been The Dells 'Make Sure'.Previously I’d been on Stuart Marconi’s show and you know, talked about doing stuff for Motown, working for Universal and I had explained how poignant the lyrics were, and it said “when you’re age and beauty have finally gone you have to got to make way for the next act coming on”. When you’re getting a bit too old time’s no longer your friend.And I’m going to have it as my funeral record - it’s the very very last ender. When I do Soul Gate on Sea which I’ve been doing for 7 years, it raises money for Macmillans Cancer and I’ve been playing that at the end of the night, everybody just joins in. So even though I won’t be there I will have printed hmm sheets for everybody with the words and they can all join in when I’ve shuffled off - so it works on two levels .I’s just a beautiful tune it is very very moving and when you play it somewhere where there’s six hundred people and they all put their arms up and start singing it you get a big lump in your throat. And it’s not an expensive record it’s about £5 and it’s one of those tunes that everybody should have in their box - if I was Prime Minister that would be the only rider - that everyone would have to have - everyone has to have a copy of the Dells in your house. It’s a bit like John Holt - everyone has to have a 'Thousand Volts Of Holt'. Every West Indian family had to have a copy of that album next to the radiogram. This would be something that I’d insist on in my manifesto - so it is something that I am literally gonna take to the grave me.”Jo Wallace: St Pancras, London, 4th July 2017The Dells: 'Make Sure'One 45 interviews - audio
  • “Itʼs Darrell Banks ʻIʼm The One Who Loves Youʼ. Itʼs Detroit - come out on Volt - a Memphis label, produced by Don Davis who had the Groovesville production setup. Nearly all Don Davisʼ stuff was stand out really, it was much better than the average soul record. This one - on so many levels itʼs my favourite. Itʼs a B side which is great because itʼs hidden away from the general public, itʼs been left to the English collectors and European soul fans to turn it over and play it and unleash a piece of magic.And itʼs magic because Darrell Banks - a very sad story, he was shot, at avery young age, he was shot dead by his girlfriendʼs lover who was a policeman in 1970, self defence.If you listen to the words, itʼs poignant, it wasnʼt written by Darrell Banks it was written by a different guy - but heʼs singing about ʻIʼm the one who loves youʼ, and he was killed.Itʼs a great record - instrumentation wise itʼs superior to most records Iʼve ever heard, vocally itʼs emotional and Darrell Banks is a great artist.Every time I hear it, I mean - Iʼve heard this now for 40 years it still does the same for me - still sounds great.”WE - {quote}It strikes me that a major aspect of the whole scene is discovering things - to put it mildly.{quote}JM “Yeah - thatʼs what itʼs all about. I think I had it through my hands many times on the English release, I never really played it - I never really played the B side, I played the A side which was ok - but tastes changed from when wewere kids we liked stomping, in yer face Northern Soul which made you want to stay up all night and dance all night.This is more subtle, this is for a maturer ear and itʼs become my favourite over the decades and remains so, I donʼt imagine Iʼll ever hear another record thatʼll affect me like this.Do you wanna hear it?”WE “Yeah, love to John, that would be fantastic!”John Manship: Melton Mowbray, 28th March 2017Darrell Banks: 'Iʼm The One Who Loves You'One 45 interviews - audio
  • “It’s a Frederick Hymes ‘Time Ain’t Gonna Do Me No Favours’ on the Fab Vegas label. It was the first real crossover record that sort of grabbed my attention. And then it took me about a year and a half to even find someone that had the recordagain and then badgered him for round about six or seven months. And then he finally gave in and actually sold me the record. But now it forms part of pretty much every DJ set I do now, just purely because it was sort of at that stage where I used to do the classic Northern Soul. So it’s stuff everybody knows like Frankie Valli and stuff like that.That was the real record that turned me on to the obscurities and the 70’s crossover scene.”Josh Pye: Station Hotel, Dudley, 22nd February 2018Frederick Hymes 111: 'Time Ain’t Gonna Do Me No Favours'One 45 interviews - audio
  • “How Could It Be by The Esquires. A song that I knew off their album in the late sixties early seventies - forgotten all about it til one of my djs played it at the King’s Hall Stoke and it reminded me about how I got into the business, how I love Soul music, how I like Northern Soul. It’s one of the greatest group sounds of all time in my opinion - so much going on, it’s a very busy record.Unbelievably sold zero - but they were a wonderful group who had big hits like ‘Get On Up’ and then a follow up called ‘Get Away.’ They’re out of Milwaukie Wisconsin just a tremendous group, and anyone who wants to feel good about Northern Soul take a listen, it’s the real business.”Kev Roberts: Thorpe Salvin, 4th February 2017Esquires: How Could It BeOne 45 interviews - audio
  • “It’s Frankie Valli - “The Night” - and the reason it’s so special - like I know it’s not rare but it’s just a classic, everyone loves it when it comes on everyone dance to it and it reminds me of - well I’ve always been into music but it reminds me of going out and going dancing .it’s one of the first ones that brought everyone together and we all had such a good time. And t reminds me of a campaign we did and the film we were in - yeah it’s just a nice little record.{quote}WE - “ We’re at the Parr Hall in Warrington, I wonder if that has any significance to you?”Lauren “Yeah - well Warrington’s where I’m from, I was born and raised here and the Parr Hall is one of the first places I came to with my group of friends. It’s just an old classic building, I watched Ben E King here like a couple of years before he died, so it was just a culture hub for Warrington - Parr Hall - yeah so I just thought I’d come here (today) a good place to do it!”Lauren Dots, Parr Hall, Warrington, 24th August 2017Frankie Valli and The Four Seasons: {quote}The Night{quote}One 45 interviews - audio
  • {quote}Yeah, and the single is The Creations, but they're better known as Brothers soul. And the track is 'A Dream'. And yeah, it was hard to choose, because there's so many, but this one sticks. out in my head. It just sort of captures, for me like essence of maybe Northern Soul or rare soul, and whatever you want to sort of title it as. I's a Detroit, you know, 60s records. The artists, as I say - The Creations but better known as The Brothers of Soul. More like three writers producersand they came together met in a classic Detroit factory, come up with the name of it - I should actually remember the name of the song. It's more than more famous songs. And yeah, they just got together. Start writing - three random guys in Detroit in the 60s, sort of a cliche story and I think their highest they've cut something like maybe 8, 9 - 10 records something like that seven inches you know never had an album, never made it big but they actually ended up writing for a lot of people are they're very much the background guys but the track itself there's just there's something magical about it it's called 'A Dream' as well so but it is like a it's beauty personified for me lyrically it's heartbreaking you know he can't get with a girl but uh you know as long as he has a dream he's holdin' on you know and - or if you can dream about it it's good enough you know so much at meant and I think you can almost hear the sort of underlying context in it of that Detroit socially deprived in the ghetto trying to get out you know, if you have a dream, you know, that sort of, yes, got harmonies, groups of harmonies it's - it's just It is absolutely beautiful just the first day I heard it you know anybody I played it to they're always like - whether they be a soul fan or not - actually somebody just coming to the pub right now he loves the record - you know, I actually he's got the guys just walked in there. This is not this is not a set up either, for this interview! He's got another pressing of it that was called 'The Brothers of Soul'. And he'll tell you himself it's just phenomenally good. I don't know - there's certain records that just hit you and for whatever reason, on subconscious level, I'm tacky away makki just brings up this my passion about emotion and I know you it's got it just how's everything later. I'm a real lyrics man.It's good - it's what makes you want to dance - you just wanna and get up and go - aaahh this - this is the sound you've been waiting for. And yeah, it really is, I think the even the productions on the strings is no coincidence you know, and it was called 'A Dream'.It is no coincidence it does sound like a body. It's that good. It's like a dream. They must have thought Wow! but it never made it. So I think there's a there's almost a beauty in that as well. Unfortunately for them at the time, it never made it big but now, you know, it's on the soul scene you know, it's a known by many. It's revered as one of the best, you know, thankfully still affordable, just the prices of things. was going to play a song to someone and say that what if they asked me was Northern Soul is - so there's the record, play that record to them. You know, that's, that's the one that explains it -for me anyway - that's the sound. There you go. You know - one track - and I'll bring you to tears.{quote}Liam Quinn, Castle Hotel, Nth. Quarter, Mancheter 25th August 2017One 45 interviews - audio
  • {quote}It's Gladys Knight and the Pips and it's 'Got Myself A Good Man'. And it's special because I love Gladys, I love her voice. It's good to dance to and kind of quite embarrassingly sing along to it very loudly when I'm DJing as well!{quote}Mazzy Snape: The Night Owl, Digbeth, Birmingham, 27th April 2019Gladys Knight and the Pips: 'Got Myself A Good Man'One 45 interviews - audio
  • {quote}The vinyl is Billy Butler's 'The Right Track' It's not necessarily my favourite Northern Soul song. And it's perhaps not even the one I would go to kind of first saw that kind of sticks in my head is being kind of that dance floor filler, but it's really special to me in that. And when I first started looking at northern soul, I was a researcher. And this is the one record where I realized that there was a bridge between the music that I knew in my family home - soul music that my mum would listen to often and the scene that I was researching around northern soul so this is the one moment the first moment when I suddenly realised that the music I knew and loved anywhere was the music of northern soul.{quote}Nicola Watchman Smith: Newcastle Station, 12th September 2017Author, researcher, music enthusiastBilly Butler: 'The Right Track' One 45 interviews - audio
  • “I’ve chosen Johnny McCall - I Need You on All Teen. It’s special because I heard it the first time around when I was going to Stafford in the eighties and then I forgot about it. Then in the 2000’s it popped into my head and I contacted a dealer and he had a copy - very cheap - it was Butch actually.And from the first the moment I got it, played it out people stopped in their tracks as I did - it’s one of the most soulful records ever made and it’s a guy pleading with his partner - his woman to stay with him ‘so here I sit looking at the wall’ - the lyrics are so gut wrenching. So at different times in my life I’ve been able to listen to it and other times I’ve not been able to listen to it. At the moment it’s a very difficult record for me to listen to, so when I choose a record today I was trying to think of something because my chapter talks about - you know the music reflecting who I am and this tune reflects the position I’m in now - I’ll leave that to people who listen to it but it definitely reflects the things that life can through at you and that’s what soul music’s all about for me.So it holds significance so if I put this on now - I put it on the other night and I could barely get through two lines of it - so I thought - be brave and bring it out, and it’s kind of ironic that this project’s happened at the same time there’s been some turmoil in my life and Northern Soul records are like that for me they’re very connected to them - emotively.So Johnny McCall - I think no-one would argue that it’s one of the most soulful records ever made and hopefully people will have a listen to it from the - he’s crying and moaning through it - he’s bereaved - he’s singing about bereavement and loss and pleading. So that’s Johnny McCall - 'I Need You'.”Puul Sadot: Islington, London 20th July 2017Johnny McCall - 'I Need You'One 45 interviews - audio
  • {quote}It's a record by the Hamilton Movement called 'She's Gone'from 1976. It's really massive at the moment - it's been massive for about probably five, six years now. And it's a great dancer, a real great hook. Anybody wholistens to this is going to say this is amazing. And like I say, everyone just gets on the floor too - soon as it comes on that on the decks.{quote}Rich Priest: The Night Owl, Digbeth, Birmingham, 27th April 2019Hamilton Movement: 'She's Gone'One 45 interviews - audio
  • “The 45 I’ve got - it’s by Beverly Ann on the RCA Victor label original track entitled He’s Coming Home.And I managed to get that particular track off Beverly Ann in Los Angeles about 20 years ago when we went over there for a soul trip. She had the last 6 copies which she was giving away - well not giving away, she was selling! So me and my friend bought all 6 of them off her - so I decided to keep one for myself signed by her - Beverly Ann herself and I sold the other 2. So that particular record will always be with me all my life and I’ll never get rid of it, and it’s been so special thing to me - absolutely cracking record as well.”Sammy Dee: The Night Owl, Birmingham, 28th February 2017Sammy was the first World Northern Soul Dance Champion at the Blackpool Tower Weekender in 2006Beverly Ann. He’s Coming HomeOne 45 interviews - audio
  • “Ok, hi so I’ve brought the Re-Vells 'I Want A New Love'.I absolutely fell in love with this record when I was about 17 at one of my first all-nighters at the 100 Club. I’ve always wanted it - always wanted a copy took me ages to save up for it the way I feel when I’m dancing to it when I hear it on a night out it’s incredible - the goose bumps every time I hear it - it’s fantastic - thank you!{quote}Sarah Keeble: Farringdon, London, 20th July 2017Re-Vells: 'I Want A New Love'One 45 interviews - audio
  • “So, I chose this record as my One 45 for both the song and for the artist. Martha Reeves is an amazing singer and produced some really great records which became popular on the northern scene. I heard ‘Heartless’ first at an event and then bought it for my own small collection. It’s not an expensive or rare record, but it sums up for me the feeling of a packed dance floor at the peak of an allnighter. As soon as the needle drops, this record takes over the room. Having seen her live, she holds a place in my heart and is actually the name sake of my dog, Martha Reeves the Second.”Sarah Raine: The Custard Factory, Birmingham, 4th February 2019Martha Reeves and The Vandellas: 'Heartless'One 45 interviews - audio
  • “The record is Jonathan Capree - it’s called ‘I’m Gonna Build Me A Mountain’ It’s on Oxbow Records and it was played on the Mod Scene for some time and about 4 years ago I managed to get a copy of it, now at this time there’s only 3 known copies - which to me was a bit of a coup becausealthough I’ve djed over 30 years nearly all the records have always been spun by somebody else.So for you to be associated with a particular record - to break it onto the Northern Soul scene, that’s always appealed to me but me coming a lot later than the guys who were djing in the sixties and the seventies, I djed in the eighties, it was until the 90’s - really the noughts till I sort of made a name for myself on the big stage. So I managed to get hold of Jonathan Capri and I’d heard it at some mod dos, so I started to play it and I can remember the first time I played it was at Cheltenham, it was at a soul night in Cheltenham for Neil Self.And I knew I had something ‘cos I left it to the last record because I didn’t want to play it - I thought ‘I can’t play it - it’s not gonna go down well’. I played it and instantly 10 people came up to me and says - ‘What was that?’Well it wasn’t quite like that - but certainly there was a few swear words in there! So I thought ‘I’ve got something.’I mean - I knew I had something anyway because I knew the beat, I knew the rhythm. The records I’d been trying to spin over the past 5 or 6 years had sort of been Mod orientated - a little bit quirky a little bit off the (ball?) not typical Northern Soul and this was one of those records. And now I managed to get the fourth copy but I sat on it for two and a half years because I didn’t want anyone else to get it.Now, I think Ginger’s got one, Ted Massey’s got one Soul Sam’s got one so now it’s well known but you know recently in an auction it went for over £3,000 but John Manship actually credited me as you know ‘This is the one that Sean Chapman’s been spinning for the past 3 years’ and really - tome as a dj above everything else that I’ve done it’s breaking this record week in week out when no one else was playing it and making it what I think is a monster today - so that’s Jonathan Capree ‘Gonna Build Me A Mountain’ Oxbow Records.”Sean Chapman: Little Bridgford, 29th November 2016Jonathan Capree: 'I’m Gonna Build Me A Mountain'One 45 interviews - audio
  • “Well it’s a great dancing record, it doesn’t get played very much these days, I think it’s quite important that it should - so I think having a photograph with it a few Djs might play it.But I suppose the reason I’ve chosen it - it’s fixed into my own personal history. In the seventies I would DJ and go dancing myself other nights. As a DJ it was a record that I always played and I used to pitch it at a particular point in the night and build up to it as a record because it would fill the floor in those days. It’s also wasn’t necessarily a typical record of the period. When this came onto the scene Wigan was really strong. Really fast - not necessarily soulful records had a lot of popularity whereas this one's a much lower tempo and much more soulful, much more of what I liked dancing to and there’s unusual instrumentation on it as well. And every time it plays I’m back being a fifteen year old.”Tim Wall: Old Oscott Sports and Social Club, 16th April 2019Popular music academic and sixty-something dancerBoby Franklin: 'The Ladies Choice Part 1'One 45 interviews - audio
  • “My chosen 45 is Betty Lloyd on I’m Catching On on BSC Records.It’s a very special record to me, I think it was the first record I sort of fell in love with - first record I paid a lot of money for - play it all the time - love it - it’s just the first couple of drum beats then horns come in - it’s proper sixties Detroit femme driven soul - fantastic!”Tom Page: Hull City Hall, 23rd February, 2017Betty Lloyd: 'I’m Catching On'One 45 interviews - audio
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